FUZZ
In the 87th Precinct hardened killers cross paths wish bad bays out on a lark; muggers rub shoulders with bank robbers and pickpockets. The cops know that fighting crime is a master of priorities. Here, in FUZZ — the basis of the classic film — they take what they can get…
They’re up against a master criminal. A man so slick that no one knows how to stop him, or whom he will kill next. Now, with the murders of two prominent citizens to his credit, the infamous Deaf Man is about to unveil his piece de resistance of extortion and homicide. But the 87th Precinct cops have been out pounding the frozen streets, lying in stinking alleyways, making calls, tapping phones, wearing disguises. They deserve a break. Or at least a chance to came home alive…
That part of Evan Hunter who writes as Ed McBain has become a wag. No question about it, his new 87th Precinct novel FUZZ, is the tale of a city full of comedians, not all of them funny. This time the cast includes a couple of painters who bedeck the precinct station and all inhabitants with apple green, two jovial young sadists who get their kicks out of incinerating lushes in alleys, a pair of hoods who are willing to risk 30 years in the can for a $400 stickup. Finally, there’s the Deaf Man with an incredible scheme for supplementing his income. I don’t know when I’ve enjoyed the 87th Precinct as much.
– New York Times
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Chapter 1
OH BOY, WHAT A WEEK.
Fourteen muggings, three rapes, a knifing on Culver Avenue, thirty-six assorted burglaries, and the squadroom was being painted.
Not that the squadroom didn’t need painting.
Detective Meyer Meyer would have been the first man to admit that the squadroom definitely needed painting. It merely seemed idiotic for the city to decide to paint it now; at the beginning of March, when everything outside was rotten and cold and miserable and dreary, and when you had to keep the windows shut tight because you never could get enough heat up in the radiators, and as a result had the stink of turpentine in your nostrils all day long, not to mention two painters underfoot and overhead, both of whom never would have made it in the Sistine chapel.
“Excuse me,” one of the painters said, “could you move that thing?”
“What thing?” Meyer said.
“That thing.”
“That thing,” Meyer said, almost blowing his cool, “happens to be our Lousy File. That thing happens to contain information on known criminals and troublemakers in the precinct, and that thing happens to be invaluable to the hard-working detectives of this squad.”
“Big deal,” the painter said.
“Won’t he move it?” the other painter asked.
“You move it,” Meyer said. “You’re the painters, you move it.”
“We’re not supposed to move nothing,” the first painter said.
“We’re only supposed to paint,” the second painter said.
“I’m not supposed to move things, either,” Meyer said. “I’m supposed to detect.”
“Okay, so don’t move it,” the first painter said, “it’ll get all full of green paint.”
“Put a dropcloth on it,” Meyer said.
“We got our dropcloths over there on those desks there,” the second painter said, “that’s all the dropcloths we got.”
“Why is it I always get involved with vaudeville acts?” Meyer asked.
“Huh?” the first painter said.
“He’s being wise,” the second painter said.
“All I know is I don’t plan to move that filing cabinet,” Meyer said. “In fact, I don’t plan to move anything. You’re screwing up the whole damn squadroom, we won’t be able to find anything around here for a week after you’re gone.”
“We do a thorough job,” the first painter said.
“Besides, we didn’t ask to come,” the second painter said. “You think we got nothing better to do than shmear around up here? You think this is an interesting job or something? This is a boring job, if you want to know.”
“It is, huh?” Meyer said.
“Yeah, it’s boring,” the second painter said.
“It’s boring, that’s right,” the first painter agreed.
“Everything apple green, you think that’s interesting? The ceiling apple green, the walls apple green, the stairs apple green, that’s some interesting job, all right.”
“We had a job last week at the outdoor markets down on Council Street, that was an interesting job.”
“That was the most interesting job we ever had,” the second painter said. “Every stall was a different pastel color, you know those stalls they got? Well, every one of them was a different pastel color, that was a good job.”
“This is a crappy job.” the first painter said.
“It’s boring and it’s crappy,” the second painter agreed.
“I’m still not moving that cabinet,” Meyer said, and the telephone rang. “87th Squad, Detective Meyer,” he said into the receiver.
“Is this Meyer Meyer in person?” the voice on the other end asked.
“Who’s this?” Meyer asked.
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